Shipped and Announced Titles

Atomfall is an open-world adventure game set in the aftermath of a nuclear disaster in Britian, blending exploration, survival, and narrative driven gameplay.

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Main Responsibilities:​

• Proprietary engine implementation and in-house audio tech.

• Designed and implemented swarm enemy 'Robot Scuttler' SFX and interactions.

• Designed and implemented environmental detailing and spotting for levels such as Loot Sewers and Organics Laboratories, incl. room reverb definitions, occlusion, and background streaming loops for levels.

• Designed and implemented pick-up SFX for various items, as well as player crafting items from materials.

• Supported design of weapon SFX such as the Electric Grenade, and tagging their various FP and NPC animations e.g. Ignite, Throw, Equip, Stow.

• Designed and implemented laser barrier hazard SFX.

• Voice recording for 'Redweed Humans'.

• Design and implementation of level transition SFX.

• Design and implementation for Robot hacking/redirecting factions SFX, to become friendly towards players.

• Player status effects SFX such as Redweed Infection and Redweed Surge, incl. healing.

• Designed triggerable Chemistry Laboratory gas removal system.

• Cut-scene linear sound design for an ending sequence.

• ​Liaising and working closely with other disciplines e.g. Animation, Art, Programmers, QA.

• Audio Quality Assurance; Playtesting; Mixing.

'Blindfire delivers unique FPS action in pitch-black arenas. Rely on sound and high-tech gadgets to develop your skills in new ways.'

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Main Responsibilities:​

• Designed/ownership of Front-end U.I and HUD & Ability SFX.

• Directing and supporting recording sessions for game, and in-house personal sound library.

• Interactive Props/Physics, and a mass amount of original Foley recording for movement (footsteps on different surfaces and speed variations, jumpsuit movement intensities).

• Designed/ownership of Spotlight gamemode.

• Voice Recording and performance for Announcer and A.B.I (Assistive Battle Interface).

• Designed/ownership of Ambience, creating 3D acoustic zone beds for both inside the Cargo Container and Warehouse maps, as well as recording and implementing spots such as bottle rolls, can drops, cargo container creaks, industrial fan movement, pipe drips, etc. to create tension and build atmosphere.

• Linear sound design for Winner's Showcase.

• Respawn gameflow sequence sound design.

• Proficiency in Implementation via. Wwise, and UE5 Blueprinting.

• Technical documentation and tracking sheets.

• Expensing / P.O for recording items.

• Liaising and working closely with other disciplines e.g. Animation, Art, Programmers, QA.

• Audio Quality Assurance; Playtesting; Mixing.

The console edition of Rimworld, a sci-fi construction and management game, establishing new UI elements that needed additional audio to signify messaging and input/movement.

Main Responsibilities:

• Sound Design / Asset Creation / U.I.

More fun challenges for this simulation game were introduced within these DLCs. 'Perfect Storm' introduced fierce weather and calamities, creating eventualities such as bursting pipes, as well as rats (voiced by me!), biting away at electrical cables (nibbled by me). 'Gangs' introduced rivals within the prison bounds, creating SFX such as a food-fighting ambience.

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Main Responsibilities:

• Directing Recording Sessions.

• Sound Design / Asset creation in Reaper.

''Explore a devastated off-world colony that is ravaged by a cataclysmic mega-storm and overrun by bloodthirsty aliens in a desperate fight to survive.''​. Wishlist now!

'Design and develop your own personalized penitentiary in

Prison Architect 2. The classic prison-builder has broken out into 3D, and it’s up to you to contain it!'.​

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Main Responsibilities:

• Worked across all stages of the audio pipeline, with a foundation in Foley specialization and strong proficiency in AudioKinetic's Wwise. 

• Directing and supporting recording sessions for game, and in-house personal sound library.

• Designed and implemented character SFX for hundreds of animations and prisoner activities, whilst tagging events in Unity and proprietary tools.

• Designed doors, modular building construction, and dogs SFX, heightening a lively prison ambience, and implemented AKAmbient spotting for the outdoor surrounding map environments.

• Recorded and performed voice for characters, guard radios, DJ, and vending machines!, additionally supporting voice direction in external recording sessions for prisoner VO.

• Technical documentation and tracking sheets.

• Expensing / P.O for recording items.

• Liaising and working closely with other disciplines e.g. Animation, Art, Programmers, QA.

• Audio Quality Assurance; Playtesting; Mixing.

During a special Halloween themed update, I created multiple looping ambiences for the front-end menu, featuring creepy whistling wind, nightlife creatures, creaking wood and foliage rustling - creating the spooky atmosphere to match with the content update visuals.

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Main Responsibilities:

• Sound Design / Asset creation, Ambience.

I began programming this throughout my BA(Hons) degree during my final year at The University of Huddersfield, and continued improving development after graduation.

Designed to aid sound design creation and manipulation, this is particularly fun for creating new and alien textures, pads, and even UI elements by altering the buffer grain window. 
Using the interaction scrub, you can alter the grain window movement direction backwards and forwards, speed, grain density, pitch, and window selection of the audio source. Additionally, it includes a moveable EQ filter graph that you can apply with presets; basic ms. delay, and a record out feature which allows you to directly capture the output and place the file into your chosen directory.  

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Main Responsibilities:

• Audio Tools Visual Programming in MaxMSP

• Designing the Graphical User Interface

• Hover Help Functions & User Instructions